All About My Mother (1999)
Melodramatic look at love and friendship.
Bad Education (2004)
Two young school friends meet after 16 years, with tragic consequences.
Broken Embraces (2009)
A tale of obsessive love and contested identity within the world of filmmaking.
High Heels (1991)
A woman who lives in the shadow of her mother finds herself locking horns with her after her husband is killed.
The Human Voice (2020)
Drama about a woman traumatised by the end of a relationship.
I'm So Excited (2013)
When a plane is imperilled the passengers try to forget their plight but in the process discover the dangers of openness.
Julieta (2016)
A mother and daughter struggle to come to terms with grief.
Labyrinth Of Passion (1982)
Early Almodóvar romp, focussing on a nymphomaniac, the son of a Middle Eastern emperor and a gay terrorist.
Pain And Glory (2019)
A film director reflects on the choices he's made in life as past and present come crashing down around him.
Parallel Mothers (2021)
Two women, a generation apart, find themselves inextricably linked by their brief time together in a maternity ward, bound by a secret with ties to a deep trauma in Spanish history.
The Room Next Door (2024)
When Ingrid finds out that her old friend Martha is seriously ill, they reunite and embark on a journey of discoveries.
The Skin I Live In (2011)
A brilliant but troubled plastic surgeon tries to create the perfect woman.
Talk To Her (2002)
Friendship develops between two men who love women in comas.
Volver (2006)
A dead woman returns home in spirit to comfort her daughters.
What Have I Done To Deserve This? (1984)
An amphetamine-addicted housewife reaches breaking point with her ungrateful family.
News

'Simple is actually the hardest to do' Eric San - aka Kid Koala - on minimalism and cherishing the moment in Space Cadet

The explorer Nelly Ben Hayoun-Stépanian on reimagining space exploration in Doppelgängers

Until the dance Andreas Dresen on resistance, ensemble storytelling and From Hilde, With Love

Honesty and curiosity Kate Siegel on the literary roots of horror and The Life Of Chuck

A discovery of the past Sara Fgaier on Julian Barnes, the taboo of death, and Weightless

Filmhouse returns to Edinburgh Doors finally open after £2m refurbishment

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